Guido WOUTERS and i e v a use both,( the first , printed cut images , the second, acousmatic sounds) as primal material to build up imaginary landscape.
Using both the material for his " intrasèques " qualities, driven by improvisation and determination, the vocabulary of the two sensorial modalities différent as rythme, contour, color and texture, get here into the same "resonance".
S q u a r e
designed firstly for a place like "Cubic Space" @ the Fundació Pilar i Joan Miró
The empty
corridor becomes a sound area to walk in and listen that progressively
brings you to the cubic space.
Immersion in a deaf tunnel , as soon as the visitors pick up the first
listeners, begins the imaginary soundscape, some words,waves, maybe a
music, between the mid-space grains of breathing which reach to an air.
Up to you to point your attention, your vision to : are you a spectator
? or do you open new perceptual "biais" ? on this numerical
world and collages of informations where culture, thruth, falsification
of your own way becomes a promenade.
The result of the sound corridor becomes the cubic space where the soundscape
surrounds the cubic "collage" landscape.